MiCaramel'

Artist:  Dozie Kanu Venue:  Project Native Informant, London Exhibition Title:  Owe Deed, One Deep Date: September 30 – November 13, 2020 Click here to view slideshow Full gallery of images, press release and link available after the jump. Images: Images courtesy of Project Native Informant, London Press Release: How might one understand mourning, when the event has yet to end? When the injuries not only perdure, but are inflicted anew? Can one mourn for those lost without assuming and usurping the place of the dead, and yet recognize that current injuries tether one to this past? Can one fashion an emancipatory vision not premised on recovery? Can one mourn what has yet ceased happening? And to what “end” are these questions invoked? 1 In Owe Deed, One Deep , Dozie Kanu presents five new sculptures, all completed this year, which stage the seemingly remote anteriority of the past and the disfigured promises of the present, to an inapproachable,

With a degree in computer engineering and computer science from the University of Southern California, Lauren Denson is now an quality engineer and supervisor at the Jet Propulsion Laboratory. via NASA https://go.nasa.gov/3pv6fwW

With a degree in computer engineering and computer science from the University of Southern California, Lauren Denson is now an quality engineer and supervisor at the Jet Propulsion Laboratory. via NASA https://go.nasa.gov/3ku9VeD

Artist:  Ciprian Muresan Venue:  Hussenot, Paris Exhibition Title:  Incarnation Date: October 10 – November 14, 2020 Click here to view slideshow Full gallery of images, press release and link available after the jump. Images: Images courtesy of Hussenot, Paris Press Release: After the fall of communism, Lenin’s statue was torn down from its pedestal in Free Press Square in Bucharest. Rumours had it that the bronze in the statue was itself reused from a monument of King Ferdinand of Romania, in its turn destroyed and melted by communists. Before ‘89, the political power in Romania used art and artists for propaganda purposes. Growing up later, I’ve always had the feeling of discharge from this weight, as if my generation was no longer limited in its will to create freely. On the other hand, I’ve also been haunted by the feeling that we were lost and adrift. Being employed by the power generated a feeling of being useful and filled the empty space left by