MiCaramel'

Все люди потеют. В составе пота находятся различные биомаркеры, по которым можно узнать о состоянии здоровья. Для этого специалистами из Китайского института Сянтань был разработан уникальный миниатюрный датчик. from https://bit.ly/2ZpYqvU https://bit.ly/2ZqV1gJ

Масштабное клиническое исследование противодействия препаратов COVID-19 продолжается. На этот раз исследователи из группы RECOVERY установили, что точно бессильно против вируса. Речь идет о лопинавир-ритонавире. from https://bit.ly/3dLOUZh https://bit.ly/3ihIZyv

Недобросовестный руководитель, низкая зарплата, сомнительные условия и враждебный коллектив – каждый, кто устраивается на работу, наверняка бы хотел избежать всего этого. Вот только как понять, что эта компания точно не подойдет? Перед тобой 14 сигналов, считать которые можно уже на этапе собеседования. from https://bit.ly/2YKvxM5 https://bit.ly/2YId42B

Artist:  Bea Schlingelhoff Venue:  Cherish, Geneva Exhibition Title:  soft mime win Date: June 12 – August 31, 2020 Click here to view slideshow Full gallery of images, press release and link available after the jump. Images: Images courtesy of Cherish, Geneva Press Release: In an informative blog post, London’s Courtauld Institute of Art speculates that one of the earliest examples of an artist’s signature, in its own collection at least, is Bernardo Daddi’s Polyptych: The Crucifixion and Saints (1348 AD). At the bottom of this multi-panel altarpiece is a line that translates to: “In the year of our Lord 1348, Bernardus, whom Florence made, painted me.”1 There are numerous examples of artists signing artworks in Ancient Greece and Rome. The classicist Jeffrey M. Hurwit writes of a very early handwritten artist’s autograph inscribed on the base of a kouros (650–600 BC) by the sculptor Euthykartides. It reads: “Euthykartides the Naxian dedic...

Spacewalkers Bob Behnken (left) and Chris Cassidy (right) in the Quest Airlock on June 26, 2020, before beginning a spacewalk to replace batteries on one of two power channels on the International Space Station. via NASA https://go.nasa.gov/2YJL3HO

Artist:  Eliza Douglas Venue:  Air de Paris, Paris Exhibition Title:  Lord of the Fucking Wasteland Date: June 20 – July 30, 2020 Click here to view slideshow Full gallery of images, press release and link available after the jump. Images: Images courtesy of Air de Paris, Paris. Photos by Marc Domage.  Press Release: As well as being the title of Eliza Douglas’s upcoming exhibition at Air de Paris, Lord of the Fucking Wasteland is the message you can read on one of the paintings on show. All the pictures in the exhibition are taken from photos of illustrated T-shirts. Presuming that the Lord in question is to be taken as an alter ego of the artist herself, the «subjects» she rules over are the fictive inhabitants of this derelict territory: the subjects of paintings based on cropped photos of tees printed with zombies, vampires and superheroes. These paintings aren’t «hers» in the sense of being pure products of her imag...

This week’s featured exhibitions: Liesl Raff at Sophie Tappeiner Simone Leigh at David Kordansky “On Property” at Cargo Melanie Ebenhoch at Martin Janda Gabe Rubin, Felix Bernstein at Luma Westbau John Miller at Schinkel Pavillon Julie Beaufils at Balice Hertling Sean Sullivan at Feuilleton Marlene Dumas at Zeno X Mike Silva at The Approach Luca Frei at Malmö Konsthall Svenja Deininger at Collezione Maramotti Group Show at Wschód Have an excellent week. from Contemporary Art Daily https://bit.ly/2ZhawYn

Artists:  Tomasz Mróz, Christoph Meier, Agnieszka Mastalerz, Maria Loboda, Mark Leckey, Daniel Koniusz, Zbigniew Gostomski, Jan Domicz Venue:  Wschód, Warsaw Exhibition Title: Proposals for a show Date: May 27 – July 4, 2020 Curated By: Jan Domicz, Piotr Drewko Click here to view slideshow Full gallery of images, press release and link available after the jump. Images: Images courtesy of Wschód, Warsaw Press Release: This is a collection of unrealized exhibition proposals – half-baked half-ideas and future ruins collapsed on top of each other. Since the number of canceled or postponed exhibitions has reached infinity, we are emancipated from the future. We ought to use present as a future tense and at the same time allow number of artists to decide how exhibitions will look like. Cherish the faith in fiction and speculation along with the need to conjure the future. It is a compilation of projects that may look best on paper, proposals ...